London International Awards London International Awards 2019-11-13T16:05:13Z 2019-11-13T16:05:13Z London International Awards 11.5606 LIA 2008 1 1 2 1 2 1 0 False False False 0 0 0 0 False False
Medium Category Company City Country Brand Name of Product or Service Title Language Corporate Name of Client Advertising Agency Advertising Agency City Design Company Design Company City Chief Creative Officer(s) Executive Creative Director(s) Creative Director(s) Associate Creative Director(s) Design Director(s) Copywriter(s) Art Director(s) Photographer(s) Illustrator(s) Graphic Designer(s) Other In less than 100 words, give a basic description of the project. Non-English: you must provide an English translation of the Copy in the box to the right or the entry will be disqualified
Design / Product/Brand Annual Reports Nolin Branding & Design Montreal CANADA Boralex Energy Creator English Boralex Nolin Branding & Design Montreal Caroline Reumont Chantal Gobeil/Louise Filion Account Director: Suzanne Chabot
Design / Product/Brand Brochures/Catalogues - Consumer BBDO Germany Düsseldorf GERMANY 2007 Cicero Annual Mailing Typo Origami English Cicero Werkstudio für Schriftgestaltung BBDO Stuttgart Stuttgart Armin Jochum Friedrich Tromm Sebastian Gaissert Torben Jäger Sebastian Gaissert Head of Art Buying: Claudia De Feo; Client Consulting: Caroline Schäufele; Production Company: Cicero Werkstudio für Schriftgestaltung Brief: CICERO is one of the last major font design studios. To attract new clients and remind existing clients of the excellence of CICERO craftsmanship we produced a mailing. Solution: You can even make something pretty from bad typography. We demonstrated this by transforming ugly typographical solutions into beautiful Origami figures and sending the result to top decision-makers in the media. Target group: Top decision makers in the media
Design / Product/Brand Brochures/Catalogues - Trade BBDO Germany Düsseldorf GERMANY 2007 Cicero Annual Mailing Typo Origami English Cicero Werkstudio für Schriftgestaltung BBDO Stuttgart Stuttgart Armin Jochum Friedrich Tromm Sebastian Gaissert Torben Jäger Sebastian Gaissert Head of Art Buying: Claudia De Feo; Client Consulting: Caroline Schäufele; Production Company: Cicero Werkstudio für Schriftgestaltung Brief: CICERO is one of the last major font design studios. To attract new clients and remind existing clients of the excellence of CICERO craftsmanship we produced a mailing. Solution: You can even make something pretty from bad typography. We demonstrated this by transforming ugly typographical solutions into beautiful Origami figures and sending the result to top decision-makers in the media. Target group: Top decision makers in the media
Design / Product/Brand Brochures/Catalogues - Trade Bassat Ogilvy Barcelona SPAIN Mango Prestige Book Mango Prestige Book English Mango Bassat Ogilvy Barcelona Angel Sanchez Francesc Talamino/Isa Sanchez Isa Sanchez Francesc Talamino Garrigosa Studio To publicise Mango's personality and history through a prestige, limited-edition book. To become a major brand you need to think of everything, down to the last detail. In the case of Mango, this last detail is represented in the form of a button.
Design / Product/Brand Brochures/Catalogues - Trade Fallon Tokyo Tokyo JAPAN Collection of Photographs - Yukikazu Ito Hare Other Ito Photograph Office/WALL Fallon Tokyo Tokyo Fallon Tokyo, Tokyo/Air Inc., Tokyo Keiichi Uemura Keiichi Uemura Keiichi Uemura Yukikazu Ito Keiichi Uemura Calligraphy Designer: Suito Nakatsuka The art direction of a collection of photographs of photographer Yukikazu Ito is released on July 1 and a design, the binding.
Design / Product/Brand Brochures/Catalogues - Trade Leo Burnett Lisbon PORTUGAL Mercedes Benz Viano Cargo Pen English Mercedes Benz Portugal Arc WW Lisbon Arc WW Lisbon Chacho Puebla/Joao Roque Chacho Puebla/Joao Roque Dani Palma Erick Rosa/Sergio Lobo Renato Lopes Assistant: Jean Zamprogno A modern and premium vehicle such as the Mercedes-Benz Viano requires a strategy such as this one to reach its customers. This way, we are able to illustrate how premium the Viano, save money and innovate in the process. A catalog inside a large capacity USB flash drive gives the customer the initial experience, he or she will have behind the wheels of a real one.
Design / Product/Brand Brochures/Catalogues - Trade Sandstrom Design Portland UNITED STATES St-Germain St-Germain Brochure English Cooper Spirits International Sandstrom Design Steve Sandstrom Mark Waggoner Antar Dayal Steve Sandstrom/Sarah Hollowood/Trevor Thrap Project Manager: Prue Searles Brochure to introduce St-Germain to trade and press. Also used as recipe book for bartenders.
Design / Product/Brand Brochures/Catalogues - Trade The Jupiter Drawing Room (South Africa) Johannesburg SOUTH AFRICA ABSA Capital The Power of 3 English ABSA The Jupiter Drawing Room (South Africa) Graham Warsop Jonathan Deeb Aviv Weil Frank Van Rooijen/Chantelle Dos Santos Ben Crosman A unique philosophy was created to relaunch the ABSA Capital brand in South Africa. We called it "The Power of 3." To house this philosophy, 100 limited edition manifestos were developed and dispersed amongst the top 100 business people in country. Termed "The Cubism Manifesto" each edition contained 99 pages of design, typography, illustration and photography that delivered the Power of 3 philosophy to those individuals who could best benefit from ABSA Capital's unique investment knowhow. The end result? ABSA Capital's profits rose 51%
Design / Product/Brand Calendars Strichpunkt Stuttgart GERMANY Papierfabrik Scheufelen The 4th Dimension - Wall Calendar 2008 Other Papierfabrik Scheufelen GmbH+Co. KG Strichpunkt Stuttgart Kirsten Dietz/Jochen Raedeker Susanne Hoerner Susanne Hoerner Papierfabrik Scheufelen Wandkalender 2008: the 4th Dimension. Die Zeit - die vierte Dimension hat seit jeher mit den Sternen zu tun. Jeden Monat zeigt der Kalender das bestimmende Sternbild und verschiedene Himmelserscheinungen. Tage hinterlassen Spuren in unserer Erinnerung: So wird ein Jahr Monat für Monat vielschichtiger. Der Januar zeigt den Sternenhimmel mit einer Druckfarbe. Der Februar mit zwei, und so weiter, die sich auf vielfältigste Weise überlagern und durchdringen, garniert mit allerlei Veredelungen. Time - the fourth dimension- has always been closely linked to the stars. Every month of the calendar shows that month's particular constellation, and a number of phenomena that appear in the sky. The days leave us with memories: gradually, month by month, the layers that make up a year build up. January shows the night sky in a single print colour; February is in two colours, and so it continues, the colours layered and interpenetrating in many different ways and garnished with all sorts of special touches and finishes.
Design / Product/Brand Direct Mail – Consumer Ogilvy & Mather Mumbai INDIA Asian Paints - Glow Paint Cinderella English Asian Paints Ltd. Ogilvy & Mather Mumbai Piyush Pandey Abhijit Avasthi Shekhar Jha/Mahesh Gharat Makarand Joshi Makarand Joshi/Mahesh Gharat Shekhar Jha/Arshad Sardar Santosh Walwaikar Dnyanesh Parab The Brief Create awareness and excitement in parents and kids about the new ‘glow-in-the-dark’ range of paints from Asian Paints. The Idea We introduced children’s favourite fairy tales, re-written in special glow-in-the-dark ink. These books cannot be read in broad daylight but only at bed-time. Kids can read them under the sheets and be transported to a magical world created by Asian Paints.
Design / Product/Brand Direct Mail – Consumer Ogilvy & Mather Japan Tokyo JAPAN Esthe WAM Hair Removal Course Broken Heart Alfine Inc. Ogilvy & Mather Japan Tokyo Akira Odagiri Takuya Matsuo Hono Nakano/Wataru Sato Masahide Yoshimi Tatsuya Kuritsuka Encourage more female consumers who want to remove hair to visit Esthe Wam’s shops by communicating the company's hair removal treatment course through media around the shops. The ad expresses that love can cool down when one looses hair. Don't let a single hair kill the passion.
Design / Product/Brand Display Merchandising/Installations DDB Germany Berlin GERMANY Volkswagen Tiguan Transsiberian English Volkswagen AG DDB Germany Berlin Amir Kassaei Stefan Schulte/Bert Peulecke Tim Schmitt/Peter Mayer Account Managers: Jakob Kaehler/Daniela Fugmann The Challenge: To brand the after show party of the Berlinale premiere of „Transsiberian“, a thriller on wheels by Brad Anderson starring Ben Kingsley and the Trans-Siberian train. The Strategy: We illustrated different walls of the party location with the Trans-Siberian train and the VW Tiguan. As authentic looking canvases we used Russian daily newspapers and timetables of the Trans-Siberian railway. To put the illustrations on canvas we applied a technique from Volkswagen car development: tape rendering – new car designs are sketched in original dimensions using colored tape on walls.
Design / Product/Brand Display Merchandising/Installations Ogilvy Frankfurt Frankfurt GERMANY Deutsche Stiftung Denkmalschutz (German Foundation for Monument Protection) Sculptures Begging for Historical Buildings English Deutsche Stiftung Denkmalschutz (German Foundation for Monument Protection) Ogilvy Frankfurt Frankfurt Delle Krause Simon Oppmann/Peter Roemmelt Peter Roemmelt Simon Oppmann Germany’s historical monuments can only be saved from disrepair at great cost. For this, the German Foundation for Monument Protection urgently needs donations. The solution: We let those beg for donations who are most directly suffering from the disrepair of historical monuments: those sculptures that are an integral part of the respective historical buildings. Replicas were made from the original sculptures. These sculptures were placed in subway stations and pedestrian underpasses, begging for “their” historical monuments, preferably in the direct vicinity of those historical buildings for which they are collecting their donations.
Design / Product/Brand Environmental Design Atelier Markgraph Frankfurt GERMANY Mercedes-Benz The Road to the Future – Mercedes-Benz at IAA 2007 English DaimlerChrysler AG Atelier Markgraph, Frankfurt/Kauffmann Theilig+Partner, Stuttgart Lighting Design: TLD Planungsgruppe; Construction: Ernst F. Ambrosius & Sohn At IAA 2007, the historic Festhalle becomes a high-contrast skin in which Mercedes-Benz presents its drive towards zero-emission mobility. Beneath the dome is a 50-metre media-fed road. This ’Road to the Future’ provides a ’carwalk’ for forward-looking vehicles and technology, orchestrating a 3D choreography of film, light and sound and forming the hub of the surrounding brand exhibitions. In ’TecTalk’, Mercedes-Benz engineers give visitors straight answers to their questions. Three communication levels, one message: fascination and responsibility for environmentally friendly mobility.
Design / Product/Brand Environmental Design Ogilvy Kosova Prishtinë SERBIA Monument Marking Kosovo's Declaration of Independence Newborn English Government of the Republic of Kosovo Ogilvy Kosova Prishtina Fisnik Ismaili Fisnik Ismaili Jeton Morina Valon Xhaferi Valon Sopaj Fisnik Ismaili Shkenca Goçi Jeton Kaçaniku/Andrew Testa/Visar Kryeziu Nita Salihu Etrit Zeneli Production Managers: Jehona Serhati/Artan Zeneli/Bes Bujupi/Ylli Vuciterna Only ten days before the actual day, we were briefed to prepare a celebration event for The Declaration of Independence Day. We created the giant sculpture " NEWBORN", 3m high, 24m long, 1m thick, weighing 9 tons. We chose the word "NEWBORN" to describe the day and globally pass the message of a newest country being born. People would express all their emotions with permanent markers. Over 150,000 people wrote on it during the event, starting with the President and the Prime Minister. All major global TV networks covered it live and it was featured in the press worldwide.
Design / Product/Brand Invitations/Greeting Cards Wallace Church New York UNITED STATES WC Tuna Party Invitation Origami Tuna Party Invite English Wallace Church, Inc. Wallace Church New York Stan Church Stan Church/Chung-Tao Tu Every year Wallace Church throws a Tuna Party where we grill up fresh tuna for our clients and friends. For our 2007 party, we created a unique invitation: an origami fish. We printed our invitation as a small poster, black on black, and folded it into a fish. We then tucked the fish into a clear plastic pillow envelope and sent it “swimming” through the mail to its recipient. Upon receipt, the guest would tug at the designated fin to unfold the fish, revealing the invitation.
Design / Product/Brand Logos ID Branding Portland UNITED STATES ID Branding Stationery New Identity Package English ID Branding ID Branding Portland ID Branding Portland Doug Lowell Jared Milam Assistant Designer: Deena Tucker; Producer: Pam Lazoff Our new identity system launched with six type and color variations of our new logo. We expect that number to grow over time. Our business cards use colored stickers to keep the printing job affordable. The logo side of the cards was printed letterpress, one color. The backs of the cards are 4-color and different for each employee, representing that person’s personal “brand”.
Design / Product/Brand Point-of-Sale Lowe & Partners Petaling Jaya MALAYSIA IKEA IKEA Sale English Inter IKEA Lowe & Partners Petaling Jaya Ng Heok Seong Mohan Prabhakar Khor Kok Yang Hock IKEA is known for finding ways to keep lowering the prices of their items. In order to highlight their price reductions in the store environment ambient communication used IKEA kitchen items that shredded, pared and sliced their price tags indicating progressively lower prices.
Design / Product/Brand Stationery Artless Inc. Tokyo JAPAN WOW Inc. | New Company Identity and Stationery English WOW Inc. Artless Inc. Tokyo Kosuke Oho (WOW) Shun Kawakami Shun Kawakami Shun Kawakami
Design / Product/Brand Stationery Ogilvy & Mather Bangkok THAILAND Badee Guitar Instructor Guitar English Badee S. Pakron Ogilvy & Mather Bangkok Saharath Sawadatikom Prapat Rojanapiyawong Anuwat Nitipanont A series of business cards with holes showing 3 basic guitar chords (A, D, and E)-- easy to learn chords that every guitar beginner should know. The idea was to use the basic chords as a gimmick to help people remember that Badee is a guitar instructor and the name cards are a lesson in themselves.
Design / Product/Brand Stationery Ogilvy & Mather Mumbai INDIA Dr. Pramod Niphadkar Visiting Card 'Balloon' English Dr. Pramod Niphadkar Ogilvy & Mather Mumbai Piyush Pandey Anup Chitnis/Rensil D'silva Bosky Doshi Bosky Doshi A balloon was used as a medium for a visiting card, for Dr. Pramod Niphadkar, a chest physician. In order to read the details of the card, one would have to blow the balloon - an exercise that would determine his/her lung capacity and it also demonstrates how important it is to have healthy lungs.
Design / Product/Brand Stationery The Switch Design Company Johannesburg SOUTH AFRICA VU Cocktail Bar English The Switch Design Company The Switch Design Company Johannesburg The Switch Design Company Johannesburg Gaby De Abreu Andrew Robinson Andrew Moore Andrew Robinson The VU Bar is the signature cocktail and wine bar situated on the beach in the exclusive Anahita Resort in Mauritius. With spectacular vistas of the aquamarine sea and its surroundings, it was deemed appropriate for the owners of the resort to name the bar VU (French for vue without the 'e'), generic to both English and French speaking holiday makers. Integrating the physical wine and cocktail glasses to make up the word VU, the concept is taken further by die-cutting the logo onto all bar collateral items acting as an enabler for the recipient to use as a viewer.
Design / Specialisms (Technique) Use of Copywriting BBDO Germany Düsseldorf GERMANY Mercedes-Benz Blue Tec Stories in Oil English Mercedes-Benz Trucks; Sales Germany BBDO Stuttgart Stuttgart Armin Jochum Friedrich Tromm/Stefan Nagel Friedrich Tromm/Armin Jochum/Wolf-Peter Camphausen/Achim Szymanski Sebastian Gaissert Sebastian Gaissert Client Consulting: Andreas Rauscher/Caroline Schäufele Objective: BlueTec® leads to a drastic reduction in the consumption of fossil fuels. To familiarize specialist journalists, haulers, and drivers with this ground-breaking technology, we told a few “Stories in Oil“ Target group: Specialist journalists, haulers, fleet managers
Design / Specialisms (Technique) Use of Copywriting The Switch Design Company Johannesburg SOUTH AFRICA VU Cocktail Bar English The Switch Design Company The Switch Design Company Johannesburg The Switch Design Company Johannesburg Gaby De Abreu Andrew Robinson Andrew Moore Andrew Robinson The VU Bar is the signature cocktail and wine bar situated on the beach in the exclusive Anahita Resort in Mauritius. With spectacular vistas of the aquamarine sea and its surroundings, it was deemed appropriate for the owners of the resort to name the bar VU (French for vue without the 'e'), generic to both English and French speaking holiday makers. Integrating the physical wine and cocktail glasses to make up the word VU, the concept is taken further by die-cutting the logo onto all bar collateral items acting as an enabler for the recipient to use as a viewer.
Design / Specialisms (Technique) Use of Illustration ADK Tokyo JAPAN LIFE The 7 Stories of Life (AIG Star Life Insurance Illustrated book for promotional use) AIG Star Life Insurance Co., Ltd. ADK Tokyo Swish&Sensuous Co., Ltd. Tokyo Kenji Umetani Ken Matsuda Kenji Umetani Mashi Nozomu Watanabe/Asami Uesugi 7 fairy tales with the theme of “life” and “death,” compiled and distributed in the form of an illustrated book. As well as creating opportunities to think once again about life, it appeals to the sincere corporate spirit. Illustrated books gained popularity, 10,000 copies went before you knew it. As well as improving the brand image, it contributed towards the rise of subscribers.
Design / Specialisms (Technique) Use of Illustration DDB Germany Berlin GERMANY Volkswagen Tiguan Transsiberian English Volkswagen AG DDB Germany Berlin Amir Kassaei Stefan Schulte/Bert Peulecke Tim Schmitt/Peter Mayer Account Managers: Jakob Kaehler/Daniela Fugmann The Challenge: To brand the after show party of the Berlinale premiere of „Transsiberian“, a thriller on wheels by Brad Anderson starring Ben Kingsley and the Trans-Siberian train. The Strategy: We illustrated different walls of the party location with the Trans-Siberian train and the VW Tiguan. As authentic looking canvases we used Russian daily newspapers and timetables of the Trans-Siberian railway. To put the illustrations on canvas we applied a technique from Volkswagen car development: tape rendering – new car designs are sketched in original dimensions using colored tape on walls.
Design / Specialisms (Technique) Use of Illustration Draftfcb Kobza Vienna AUSTRIA Tanzquartier Vienna Insects English Tanzquartier Vienna Draftfcb Kobza Vienna Draftfcb Kobza Vienna Joachim Glawion Roman Steiner Roman Steiner Account Executive: Stephanie Rossek The campaign aimed at the visual depiction of the intelligent debate about and elaboration of the history of dancing. The visualization was realized by means of fantastic creations and detailed insect-shaped collages. Each collage – if moth, beetle, scorpion or wasp – is dedicated to dancers and choreographers of certain epochs.
Design / Specialisms (Technique) Use of Illustration JWT India Mumbai INDIA Rolling Stone Magazine India 50-Cent English MW.Com India Ltd. JWT India Mumbai Agnello Dias Ferzad Variyava/Shamik Sengupta Agnello Dias Ashish Pathak/Shashank Jha Israr Qureshi Ashish Pathak/Shashank Jha Ashish Pathak/Shashank Jha General Manager: Suranjan Das; Sr Brand Activator: Anuja Arora; Textile Designers: Binal Shah & Team; Director Creative Services: Purshottam Joshi; Production Manager: Mukund Kapote; Digital Artists: Deepak J/Vivek W Rolling Stone. The unattainable bible of music journalism was coming to India. So IS IT POSSIBLE TO MAKE THE ICONIC LOOK FAMILIAR? AND STILL BE ICONIC? The refrain came from the heartland of the Indian cultural pot pourri. BATIK, KANTHA, MADHUBANI & ZARDOZI - some of the oldest surviving traditional art forms were chosen to recast iconic Rolling Stone covers as posters in their new likeness. The Hard Rock Cafe chain, jam-packed nightclubs and hardcore music haunts were chosen as the venues for the blast off. And slowly, Rolling Stone opened its soul to India.
Design / Specialisms (Technique) Use of Illustration JWT India Mumbai INDIA Rolling Stone Magazine India Bob Marley English MW.Com India Ltd. JWT India Mumbai Agnello Dias Ferzad Variyava/Shamik Sengupta Agnello Dias Ashish Pathak/Shashank Jha Israr Qureshi Ashish Pathak/Shashank Jha Ashish Pathak/Shashank Jha General Manager: Suranjan Das; Sr Brand Activator: Anuja Arora; Textile Designers: Binal Shah & Team; Director Creative Services: Purshottam Joshi; Production Manager: Mukund Kapote; Digital Artists: Deepak J/Vivek W Rolling Stone. The unattainable bible of music journalism was coming to India. So IS IT POSSIBLE TO MAKE THE ICONIC LOOK FAMILIAR? AND STILL BE ICONIC? The refrain came from the heartland of the Indian cultural pot pourri. BATIK, KANTHA, MADHUBANI & ZARDOZI - some of the oldest surviving traditional art forms were chosen to recast iconic Rolling Stone covers as posters in their new likeness. The Hard Rock Cafe chain, jam-packed nightclubs and hardcore music haunts were chosen as the venues for the blast off. And slowly, Rolling Stone opened its soul to India.
Design / Specialisms (Technique) Use of Illustration JWT India Mumbai INDIA Rolling Stone Magazine India Jim Morrison English MW.Com India Ltd. JWT India Mumbai Agnello Dias Ferzad Variyava/Shamik Sengupta Agnello Dias Ashish Pathak/Shashank Jha Israr Qureshi Ashish Pathak/Shashank Jha Ashish Pathak/Shashank Jha General Manager: Suranjan Das; Sr Brand Activator: Anuja Arora; Textile Designers: Binal Shah & Team; Director Creative Services: Purshottam Joshi; Production Manager: Mukund Kapote; Digital Artists: Deepak J/Vivek W Rolling Stone. The unattainable bible of music journalism was coming to India. So IS IT POSSIBLE TO MAKE THE ICONIC LOOK FAMILIAR? AND STILL BE ICONIC? The refrain came from the heartland of the Indian cultural pot pourri. BATIK, KANTHA, MADHUBANI & ZARDOZI - some of the oldest surviving traditional art forms were chosen to recast iconic Rolling Stone covers as posters in their new likeness. The Hard Rock Cafe chain, jam-packed nightclubs and hardcore music haunts were chosen as the venues for the blast off. And slowly, Rolling Stone opened its soul to India.
Design / Specialisms (Technique) Use of Illustration JWT India Mumbai INDIA Rolling Stone Magazine India Madonna English MW.Com India Ltd. JWT India Mumbai Agnello Dias Ferzad Variyava/Shamik Sengupta Agnello Dias Ashish Pathak/Shashank Jha Israr Qureshi Ashish Pathak/Shashank Jha Ashish Pathak/Shashank Jha General Manager: Suranjan Das; Sr Brand Activator: Anuja Arora; Textile Designers: Binal Shah Team; Director Creative Services: Purshottam Joshi; Production Manager: Mukund Kapote; Digital Artists: Deepak J/Vivek W Rolling Stone. The unattainable bible of music journalism was coming to India. So IS IT POSSIBLE TO MAKE THE ICONIC LOOK FAMILIAR? AND STILL BE ICONIC? The refrain came from the heartland of the Indian cultural pot pourri. BATIK, KANTHA, MADHUBANI & ZARDOZI - some of the oldest surviving traditional art forms were chosen to recast iconic Rolling Stone covers as posters in their new likeness. The Hard Rock Cafe chain, jam-packed nightclubs and hardcore music haunts were chosen as the venues for the blast off. And slowly, Rolling Stone opened its soul to India.
Design / Specialisms (Technique) Use of Illustration Ogilvy & Mather Japan Tokyo JAPAN Tokyo-yoga.com Leaf Man English Tokyo-yoga.com Ogilvy One Japan Tokyo Ogilvy One Japan Tokyo Mark Collis Takahisa Hashimoto/Taketo Igarashi Takahisa Hashimoto Taketo Igarashi Takahisa Hashimoto Daisuke Kobayashi Takahisa Hashimoto C.G. Retoucher: Takashi Taniai (Amana Inc.); Producer: Norihisa Fujita Objective of this Campaign is to widely introduce the Yoga-class "Tokyo Yoga.com". In Japan we have been seeing significantly big health trend in major cities such as Tokyo; slow food, organic food, lohas, fitness, pilates...etc. "Ashtanga Yoga" is one of the authentic yoga streams from India, which is said to require the hardest discipline both physically and mentally. Here, we communicate the message to those who want to live healthily, love sports and have deep interest in yoga that Ashtanga Yoga will help regain their mental and physical energy which will change their body naturally.
Design / Specialisms (Technique) Use of Illustration Strichpunkt Stuttgart GERMANY Staatsoper Stuttgart Programs State Opera Staatsoper Stuttgart Strichpunkt Stuttgart Kirsten Dietz Kirsten Dietz Kirsten Dietz/Anders Bergesen/Julia Ochsenhirt/Susanne Hoerner/Anika Marquardsen As part of the development of the new Corporate Design by Strichpunkt for the Württembergische Staatstheater Stuttgart, the agency designs and produces the programme booklets for the Staatsoper Stuttgart. The CD frame is freely interpreted and filled according to the subject of the particular piece – from a criminal act for "Carmen" to a Western libretto for "Il Fanciulla del West”, the agency combines extensively prepared components with photos taken shortly before the premiere to create a comprehensive, two-dimensional interpretation of the performance – and in doing so creates printed works of art that are themselves open to interpretation.
Design / Specialisms (Technique) Use of Photography DDB Germany Berlin GERMANY DB Brand Atlas The DB Brand Atlas English Deutsche Bahn AG DDB Germany Berlin Amir Kassaei Natalie Sofinskyj/Annette Apel Andreas Butterbrodt/Nina Faulhaber Oliver Helbig Account Managers: Gesa Birkmann/Nina Preuss Deutsche Bahn AG transcended the limits of its name long ago, and has left them far behind. The DB Brand Atlas highlights the global position of the brand, and is the product of the company’s current portfolio of services and achievements. All the areas where DB operates are illustrated; the brand is located and mapped across the globe. The consistency and precision of the Atlas design reflects the brand and its main focal points.